In the In-Between: Chinese Experimental Art in the Third Space
To access the full text documents, please follow this link: http://hdl.handle.net/10803/291942,
Author
Habes, Gloria
Other authors
Manonelles Moner, Laia
Crispí Canton, Marta
Universitat Internacional de Catalunya. Departament d'Humanitats
Date of defense
2015-05-15T09:10:33Z2015-05-15T09:10:33Z
2015-03-11
Abstract
This thesis shines a light on the Euroamerican reception of Chinese experimental art from 1990-2004.
A selection of twelve exhibitions held in the Euroamerican context on Chinese experimental art are analysed within this study and a elaborate look has been taken at the exhibition itself, the works on display , the exhibition catalogue and the reviews that have been generated. The study focusses on Chinese experimental artists overseas but gives a very good impression on how Chinese experimental art has been received in general in the Euroamerican context. Also an extensive part of this dissertation has been dedicated to explaining basic and more in-depth background information on Chinese experimental art in order to gain a better understanding of this art current.
Here, special attention has been paid to the overseas artists, and concepts such as transexperiences, hybridity, third space, diaspora and exile, and the “East-West” dichotomy.
Document Type
Thesis
Published version
Language
English
Subjects and keywords
Third Space
Chinese experimental art
Hybridity
Euroamerican reception
in-between
Art contemporani xinès
7
Pages
739 p.
application/pdf
application/pdf
Publisher
Universitat Internacional de Catalunya
This item appears in the following Collection(s)
Rights
L'accés als continguts d'aquesta tesi queda condicionat a l'acceptació de les condicions d'ús establertes per la següent llicència Creative Commons: http://creativecommons.org/licenses/by-nc-nd/3.0/es/